Traditional joke math suggests that tragedy + time = comedy. The 34 films on this list don't follow this formula, though, because dark comedy isn't about making comedy comfortable for everybody — it's about using humor to create comfort for the sometimes niche audience that needs to see it. A film about a grieving family (The Royal Tenenbaums) might seem in poor taste to some; to others, it might be the only thing saving them from their own grief.
If your coping mechanism for tough times is laughter, then this is the list for you. These 34 comedies streaming across the internet satirize global issues like nuclear war, cultural trends like beauty pageants, and leave no stone unturned in their quest to make life's toughest stuff more emotionally palatable.
Keep reading forEntertainment Weekly's list of the 34 best dark comedies of all time, and remember: It's okay to laugh.
I Love You to Death(1990)
Serve spaghetti (with a killer sauce) for this one, folks, because marinara is the preferred vehicle for poison in this very Italian true-crime romp. Black? Pitch, because it's about, ya know, an actual plot to kill an actual philandering husband (played byKevin Klinein his prime). Based on the wild tale of a real woman (Frances Toto) and her multiple attempts to off her cheating spouse, Tracey Ullman plays the jilted wife with aplomb. Espresso-dark and over the top (with an amazing cast includingKeanu Reevesand River Phoenix), the real story is crazier than fiction, but you won’t find any spoilers here.—Debby Wolfinsohn
Where to watchI Love You to Death: Amazon Prime Video (to rent)
Better Off Dead(1985)
So much to love here: a baby-facedJohn Cusack, quotable lines (“I want my two dollars!” “Gee, I’m real sorry your mom blew up, Ricky.” ), random cartoon moments, Curtis Armstrong (Revenge of the Nerds’Booger!) skiing in a top hat, goofball humor (dinner literally crawls off the plate), and because this is a dark comedy, a running "I'm going to kill myself" plotline that feels about as serious as everything else in this film, which is to say, not very. With a director with a name like Savage Steve Holland, what did you expect? Tell the kids this was exactly what growing up in the ‘80s was like.—D.W.
Where to watchBetter Off Dead: Amazon Prime Video (to rent)
The War of the Roses(1989)
An extra-dark comedy that veers toward sadism, the film is saved by the chemistry and star power ofKathleen TurnerandMichael Douglas(fresh off theirRomancing the Stoneseries), with an assist from an excellent Danny DeVito. There are no good guys in this divorce, especially when the family estate is involved. Smashing china, falling down the stairs, slugs to the nose, and worse: Even the pets don't escape the wrath of this toxic couple, and watching them go from happy newlyweds to bitter foes feels, at times, genuinely sad. More than bleak, the film's been named “one of the nastiest comedies of all time."—D.W.
Where to watchTheWar of the Roses: Amazon Prime Video (to rent)
Fear and Loathing in Las Vegas(1998)
This film must be seen to be believed — and for fans of dark comedy, it must be seen. Wickedly hilarious (and just so…wrong) from the get-go, this drug-singed, candy-colored nightmare remains a singularly chaotic vision, a freakish holy trinity/chemical reaction between the minds of Hunter S. Thompson,Johnny Depp, and director-ringleader Terry Gilliam.
The story begins with Depp's voiceover reading Thompson's famous words: "We were somewhere around Barstow on the edge of the desert when the drugs began to take hold." As perfect as Depp's maniacal performance is, he actually serves as the straight man (if you can believe that) next to the half-feral turn Benicio Del Toro conjures up as Thompson's lawyer, stealing the show every time he blinks.—D.W.
Where to watchFear and Loathing in Las Vegas: Amazon Prime Video
Four Lions(2010)
A laugh fest about a bunch of suicide bombers? Yes, we thinkFour Lionsmight be the textbook definition of "dark comedy." English filmmaker Chris Morris invites us to laugh at terror, literally, putting the stupidity of these hilariously clueless jihadists front and center.As EW’s critic put it, "These guys are not charming; they’re horrifying in their ignorance, and they cause real damage. But there’s a weird relief to be found in the opportunity to laugh ourselves sick at their expense, if only for an instant."—D.W.
Where to watchFour Lions: Tubi
Ingrid Goes West(2017)
The sun-drenched black comedyIngrid Goes Westis filled with enough avocado toast, big hats, and selfies to double as an Instagram time capsule. Playing the charmingly unhinged Ingrid, an internet stalker of the highest order,Aubrey Plazadoesn't hit a false note. And neither does her costar, Elizabeth Olsen, playing a breezy L.A. girl personified. Olsen fully inhabits her role as a popular social media influencer and the object of Ingrid's obsession.EW's critic praised the film's"keen sense for the loneliness and inanity of a life lived online," calling it a "clever, corrosive little trick of a movie."—D.W.
Where to watchIngrid Goes West: Tubi
Delicatessen(1991)
Bathed in yellow smoke, this quirky French dystopia is a visually stunning collaboration between Jean-Pierre Jeunet and Marc Caro. If you've seen their other work of genius,The City of Lost Children(1995), you already know what you're in for: a living, breathing, beautifully surrealist nightmare. And whileDelicatessenis, without a doubt, dark (the title is inspired by a butcher who uses his carving skills on, gulp, human meat), it's leavened by fantastic performances and a sense of zany, off-kilter silliness happening within a meticulously crafted world.—D.W.
Where to watchDelicatessen: Amazon Prime Video (to rent)
A New Leaf(1971)
A New Leafis a showcase for the freakishly talented Elaine May, pulling off a triple threat as the writer, director,andstar. May plays Henrietta, a very rich, very awkward botanist with zero social skills who is targeted by a gold-digging creep (the excellent grump, Mr. Walter Matthau). His plan to marry this adorable nerd, murder her, and take all the cash doesnotgo as planned in the most painful way possible (for the audience, too). Poor, innocent Henrietta falls madly in love with Matthau's character, the first person to shower her with kindness and care. May's sense of physical comedy is on full display here (her three-minute "trying to put on a dress" sequence, for example, is legendary).—D.W.
Where to watchA New Leaf: Pluto TV
Drop Dead Gorgeous(1999)
Minnesota nice turns into Midwestern murder inDrop Dead Gorgeous, a black comedy mockumentary about a series of attempted assassinations in a small town beauty pageant qualifying competition. Amber Atkins (Kirsten Dunst) is a 17-year-old aspiring journalist who hopes to win the Sarah Rose Cosmetics American Teen Princess Pageant to pay for college. But first, she must survive her hometown pageant, a high ask considering someone is picking off the contestants one by one.
This satire is a dark, funny takedown of small-town values, beauty competitions, and the public’s obsession with young girls. The comedy flopped at the box office, butDrop Dead Gorgeousproved ahead of its time — the movie castAmy Adamsin her first film role — and has since been declared a cult classic. —Ilana Gordon
Where to watchDrop Dead Gorgeous: Tubi
Fargo(1996)
The OG middle America noir is brought to you by theCoen brothers, whose understated style is often imitated but never duplicated. (Now, if we could include Noah Hawley's sublime small-screen spinoff we would, because the film and the FX series both mix humor and violence to create a deliciously dark comedy hot dish.)Fargowas hugely influential, being one of the first times mainstream moviegoers had seen plain-spoken folk at the center of a violent crime story, and the sensation of laughing while covering your eyes in horror (one word: woodchipper) became a core memory for ‘90s film lovers.
Withsuper greatperformances from the likes ofFrances McDormand, William H. Macy, and Steve Buscemi,EW’s critic described the settingas "a landscape so muffled by snow and Scandinavian-bred, low-affect courtesy."—D.W.
Where to watchFargo: HBO Max
The Producers(1967)
For this, his first film, dark comedy hall of famerMel Brookswentbig, deciding that fearlessly taking on the Nazis (and the American public) would be a good introduction. This bold move paid off, cementing his place in cinematic history (and our hearts) forever, but at the time, well, you could say it took some (Space)balls.Yes, Brooks created something so risky — people just didn'tmake fun of Hitlerlike that — that the studio nearly pulled it from circulation. A pitch from Peter Sellers, interestingly enough, is what saved it. Brooks later admitted his M.O. was this: When it comes to real-life horror, sometimes the only logical response is comedy.—D.W.
Where to watchThe Producers: Tubi
The Death of Stalin(2017)
From Armando Iannucci (Veep) comes a different sort of barbed political satire, a historical comedy as black as burnt toast. Set in 1953 after the titular dictator’s passing, the film revels in the chaotic, messy, bumbling power struggle that ensues among figures like Nikita Khrushchev (Steve Buscemi) and Georgy Malenkov (Jeffrey Tambor). If this sounds a bit likeSuccession(created by Iannucci's peer/former co-writer Jesse Armstrong, who worked onThe Thick of ItandIn The Loopwith him), we can only say that great minds think alike. Fun fact: In what may be the greatest compliment of all, the film wascondemned by Russia as anti-Russian propaganda.—D.W.
Where to watchThe Death of Stalin: Hulu
American Psycho(2000)
Bret Easton Ellis’ 1991 best-seller looks unrecognizable in Mary Harron’s cinematic adaptation of the controversial novel. StarringChristian Baleas Patrick Bateman, a yuppie investment banker whose only real passions are consumerism, dining out, and committing murder, this black comedy and horror fusion satirizes the mass-consumption and performative lifestyle that was a hallmark of the 1980s culture and economy.
Luckily for viewers, the film version ofAmerican Psychopresents the best aspects of the novel without luxuriating in book Bateman’s fevered misogyny.EW’s critic writesthat the film is elevated by Bale’s interpretation, noting, “He keeps Patrick lurching blindly toward humanity, until we see a self being born in a man who, paradoxically, was too selfish to have one.”—I.G.
Where to watchAmerican Psycho: The Roku Channel
The Lobster(2015)
Yorgos Lanthimos, quite possiblythereigning dark comedy master of the current era, is never content to stay in the lines. Seemingly on a quest to make a film in each genre, though always through the lens of black comedy,The Lobsterwas his stab at dystopian, absurdist…romance? StarringColin Farrell(looking like a defeated Ned Flanders) andRachel Weisz, the story is set in a "resort" (ok, prison) whose "guests" are all singles tasked with finding life partners. If they fail, they are transformed into an animal (hence the title). But hey, it's notallbad — you get to choose the animal! With a stacked cast (Olivia Colman, John C. Reilly, Léa Seydoux, Ben Whishaw) and a cool (cold?) style, this film is an uncomfortable, surreal, and contentious love-it-or-hate-it kind of ride.—D.W.
Where to watchThe Lobster: HBO Max
Sorry to Bother You(2018)
EW’s critic praised Boots Riley's genre-defying dark comedy as"the most wonderfully bizarre film of 2018," and with good reason. Following telemarketer Cassius Green (LaKeith Stanfieldin a role he was born to play) down aseriousrabbit hole, this twisted, Oakland-based take onAlice in Wonderlandstarts weird and gets progressively weirder, building to a surreal conclusion you cannot look away from. Not to be outdone, the amazing Tessa Thompson turns in a fantastically free-wheeling performance as Cass' artist girlfriend, Detroit.—D.W.
Where to watchSorry to Bother You: Fandango (to rent)
Groundhog Day(1993)
Groundhog Dayis an existential miracle disguised as aBill Murraycomedy. What appears to be a bouncy, silly romp about a slightly surreal situation (Murray plays Phil, a weatherman reliving the same day over and over) is, at its core, actually quite deep. With director/co-writerHarold Ramisat the helm, this film asks surprisingly big philosophical questions — How do we get unstuck? What mistakes do we keep repeating? Whatisthe point of life? — without ever hitting us over the head with them.—D.W.
Where to watchGroundhog Day: Amazon Prime Video (to rent)
Election(1999)
If Elle Woods had an evil little sister, she would be Tracy Flick, a frighteningly ambitious girl who blows up a man's life.Reese Witherspoon(then 23, playing a convincing 16)ownsthe role of Flick, a high-intensity creep with perfect posture, chipper enough to cut. The terror in her teacher's eyes (Matthew Broderick, bringing the schlub factor) tells us everything — she's a monster in a sweater set. This one takes place in the heartland (Nebraska), where, similar toFargo, the flat colors and plain-spoken style serve to put the fiery story into high focus. Written and directed by Alexander Payne with his usual self-assured, sunny, satirical edge,Electionis based on the novel of the same name by an author who is no stranger to the dark (comedy) side, Mr.Tom Perotta.—D.W.
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Where to watchElection: Paramount+
Borat Subsequent Moviefilm(2020)
Sacha Baron Cohen’s mustachioed, overly-confident Kazakh is back, baby, in yet another tragicomic wonder. Traveling through the U.S. with his daughter, Tutar (Maria Bakalova),Borat Subsequent Moviefilmis like a reimagined, unscripted version of a bizarro buddy comedy, full of momentssounwieldy they give new meaning to the word "awkward." Some of the most iconic bits include thenow-infamous Rudy Giuliani encounterand the horrifying father-daughter OB-GYN visit.As EW’s critic writes, "His outrageous, uncountable isms — the confident screeds against women and Jews, the casual endorsements of incest or indentured servitude — are of course satirical, and entirely the point."—D.W.
Where to watchBorat Subsequent Moviefilm: Amazon Prime Video
Being John Malkovich(1999)
Pair the dark comedy dream team of Charlie Kaufman (writer) and Spike Jonze (director) with a stellar cast willing to go there (Catherine Keener, Cameron Diaz, John Cusack), and the result is one of the most surreal films ever.Being John Malkovich— a wild gemEW’s critic describesas a "delightfully absurdist, occasionally off-putting masterpiece of existential voyeurism that runs on its own off-brand logic," is a mind-blowing treat. Trying to explain its appeal on paper is almost impossible, but we'll try. One of the plot devices is a portal/tunnel allowing access to the Malkovich brain. Another is a "half-floor" jammed between two normal, full-sized floors. Also, puppets, obsessive love, body-swapping, a rescue chimp, and more puppets. It’s dream-like and claustrophobic in the best way.—D.W.
Where to watchBeing John Malkovich: Amazon Prime Video
In Bruges(2008)
Dark as a cup of Yorkshire Tea,In Bruges, penned by writer/director Martin McDonagh (2022'sThe Banshees of Inisherin) tells the tale of two hit men visiting the Belgian tourist town of Bruges. The decidedlynottouristy reason for their visit? One of them, (Colin Farrell) has accidentally killed a young boy, and the other (Brendan Gleeson) has been ordered to off him. The setting for this settling of scores is the film's third star. Lovely and rich in history, Bruges is famous for its canals, stone bridges, and quaint pubs, painting a charming backdrop for a couple of excellent performances in a film that is quite heavy, but also shockingly funny.—D.W.
Where to watchIn Bruges: Amazon Prime Video (to rent)
Beetlejuice(1988)
With its signature sweet but creepy tone, this Tim Burton film is exhibit A in how scary things (death, the paranormal) can be adorable — and the trick is in the perspective. When the world's nicest couple (Geena Davis and Alec Baldwin) perish and become ghosts, only a certain depressed goth princess named Lydia (Winona Ryder, who else) can see them. Serving as their real-world representative, Lydia defends them against idiots like her parents (nearly "killing" them with a seance) and sleazebag monsters (Michael Keaton's slapstick Beetle-dude). Hilariously funny and at times downright scary, this genre-defying movie is creative both in concept (death is kinda like the DMV?) and in aesthetic (a feast of practical effects, namely a stripped sandworm). There simply isn’t a dull moment.—D.W.
Where to watchBeetlejuice: Amazon Prime Video (to rent)
In The Loop(2009)
Two words: Armando Iannucci. As fans ofVeepalready know, the man has a serious way with political comedy… the darker, the better. An offshoot of his excellent BBC TV seriesThe Thick of It,In the Loopis like a nastier version ofTheWest Wingafter 100 pots of coffee. The film, featuring Steve Coogan andJames Gandolfini, winningly depicts a bumbling U.S. government running headlong into a Middle East war.As EW’s critic lamented, "In the Loopinvites its audience tothink, and presumes a certain love ofMonty Python. Not to mention an appreciation ofDr. Strangelove.” (See No. 1 on our list.)—D.W.
Where to watchIn the Loop: AMC+
After Hours(1985)
What would happen ifMartin Scorsesedirected a neo-noir screwball comedy about a corporate yuppie’s ill-fated night in New York City? You’d getAfter Hours, an underrated ‘80s movie featuring some of the decade's brightest talents. Griffin Dunne stars as Paul Hackett, a hapless word processor who attempts to woo a woman he meets in a coffee shop, only to spend the rest of the film paying for it.
Part of a subgenre of Reagan-era films known as the “yuppie nightmare cycle” — similar movies includeDesperately Seeking Susan(1985), Blue Velvet(1986),andFatal Attraction(1987) —After Hoursisn’t as well known asThe King of Comedy(1982), but it should be. InAfter Hours, Scorsese takes the same frantic approach he uses with his crime thrillers to create a fast-moving black comedy. —I.G.
Where to watchAfter Hours: Amazon Prime Video (to rent)
The Royal Tenenbaums(2001)
The Royal Tenenbaumsfeels vintage in the best way, like something unearthed from our collective consciousness. With its beautifully obsessive, antiqued look — from the color palette to the precision-centered cinematography — its blink-and-you'll-miss-it doll house details aren't just there to look pretty. Under the exquisite surface is something quite moving, a grieving family grappling with the kinds of big, swirling, complicated feelings that make life hard and art great.Perhaps EW’s critic said it best: "[T]he Tenenbaum children are precocious and extraordinary, yet not protected from unhappiness by their own gifts."—D.W.
Where to watchThe Royal Tenenbaums: Amazon Prime Video (to rent)
Some Like It Hot(1959)
This whiz-bang, cross-dressingly chaotic flick is as fresh now as it was in 1959 — but hey, writer-director Billy Wilder (1950'sSunset Boulevard) wasn't called a genius for nothing. Two musicians (dynamic duo Jack Lemmon and Tony Curtis) go full drag while on the run from the Mob (seeing their distinct takes on "feminine" is just one of the joys here) and hop on a train full of traveling female musicians (an all-woman band complete withMarilyn Monroeplaying the band’s singer and ukulele player).
No wallflowers here; the women are brash, brassy, and refreshingly bold. And while the on-screen action is champagne for the senses, irrepressibly bubbly and bright, its themes are on the serious side, dabbling in desperation, reinvention, and forgiveness. Everyone in this film has got a con (or five), lying and cheating non-stop, but Wilder doesn't pass judgment.—D.W.
Where to watchSome Like It Hot: Tubi
Pink Flamingos(1972)
Predating trash culture, reality TV competitions, true crime obsessions, and evenJackass(see: Divine's dog poop snack),John Waters’ masterpiece of filth is something you have to see to believe (unfortunately, finding it can be a bit of a challenge). PerhapsEW’s critic said it best,in honor of the 25th anniversary, declaring it hilarious, shocking, and scary: "The film has lost none of its danger, its wit, its psychotic exuberance…Pink Flamingosstill stands as the purest, most joyful jolt of outrage in movie history."—D.W.
Pink Flamingosis currently not available to stream.
Network(1976)
Networkis the story of veteran news anchor Howard Beale’s (Peter Finch) on-air mental breakdown, a decline that is exploited by executives at the Union Broadcasting System. Screenwriter Paddy Chayefsky usesNetworkto express the outrage Americans felt over issues like Watergate and the Vietnam War; to paraphrase the film, people were mad as hell, and they weren’t going to take it anymore.
Networkhas been rightfully criticized for its portrayal of Arabs, but the film’s other themes — the rise of reality TV, the media’s exploitation of celebrities, the prioritization of ratings above all else — now seem like prophecies. The acting is also great:EW ranked Peter Finch’s performanceas Howard Beale number 11 on our list of the 30 most memorable Best Actor-winning performances.—I.G.
Where to watchNetwork: Amazon Prime Video (to rent)
Harold and Maude(1971)
An outsider romance peppered with gallows humor and bubbling over with giddy optimism,Harold and Maudeis a life-affirming, weirdly wonderful film about a rich kid with a death wish and his love affair with an exuberant 79-year-old woman. Fans of Wes Anderson will appreciate this for vibes alone, from the sweetCat Stevenssoundtrack to the autumn in New York color palette. A big bomb upon release (perhaps not surprisingly, given the love scene and the numerous over-the-top suicide enactments), it’s now considered a beloved cult classic — and the ideal expression of director Hal Ashby's shaggy, unconventional, open-hearted storytelling.—D.W.
Where to watchHarold and Maude: YouTube
Ruthless People(1986)
On the lighter end of the dark comedy spectrum,Ruthless Peopleis an utter joy from beginning to end, a mid-80s classic that still sparkles today. Silly? Super, but with a pure heart, and real…you know,feelingsat its core. Danny DeVito plays a scheming, no-good husband whose treatment of his brassy wife (a divineBette Midler) has you rooting for the kidnappers (soft-spoken rays of sunshine, Judge Reinhold and Helen Slater) who snatch her for ransom. Midler's creative, extremely DIY basement "gym" (and her resulting mental and physical glow up!) remains one of the funniest, most unexpectedly heartwarming character transformations of that era.—D.W.
Where to watchRuthless People: Amazon Prime Video (to rent)
Adaptation(2002)
If you're looking for a movie that requires all of your undivided, phone-down attention, let us introduce you toAdaptation.Nicolas Cageis perfectly cast as a tortured, frumpy, socially awkward screenwriter (is there any other kind?) AND said screenwriter's twin brother, whose ham-handed, more commercial attempts at writing pays off infuriatingly well. And that's the whole thing…oh, wait. Did you forget this is a Kaufman joint? Yes, there is a SECOND film nested within the first, starring a little-known actress (Meryl Streep) playing a real-life writer (Susan Orleans) and reenacting her famed, flower-hunting non-fiction tale (The Orchid Thief).—D.W.
Where to watchAdaptation: Amazon Prime Video (to rent)
What We Do in the Shadows(2014)
The mix of deadpan New Zealand humor and horror is a winning combo in this mockumentary about a vampire clan that later spawned an equally electric FX show of the same name. Birthed from the wryly funny, slightly twisted minds ofJemaine ClementandTaika Waititi,What We Do in the Shadowstakes a fresh approach to its ancient subject matter, applying a blasé, almost bland,Real World-meets-Guffmanapproach to the inherently dramatic vamp lifestyle. Flashes of shocking violence (after all, a guy's gotta eat) present tonal shifts that work brilliantly, while an inherent sweetness (that ending!) keeps things relatable for us soft-hearted humans.—D.W.
Where to watchWhat We Do in the Shadows: Apple TV (to rent)
Heathers(1988)
No one did edgy teen comedy, ‘80s style, better than the Winona Ryder–Christian Slaterdream team. And no one ever will again, becauseHeathersis a (wonderfully) problematic time capsule. Is Slater's Jason Dean just a gaslighter in James Dean's clothing? Yes. Are we surprised that a teen suicide satire didn't age well? Nope. But that's what a good dark comedy can do: Make you squirm as you laugh. The dialogue is whip-smart, crackling, and basically unprintable here, so you'll just have to check it out for yourself. (And if the use of red lighting, fire, and smoke doesn't convince you this is a comedy leaning hard into horror, the murders will.)—D.W.
Where to watchHeathers: Amazon Prime Video
Withnail and I(1987)
This charmingly shaggy, extremely British, incredibly boozy tale, based on writer-director Bruce Robinson’s own experiences, follows the exploits of two unemployed actors (an iconicRichard E. Grantand his patient beyond measure roomie/enabler, Paul McGann) who’ve “gone on holiday by mistake.” The movie gifts us with the most memorably messed-up train wreck in all creation: Grant's Withnail, an indelible, sallow-faced cocktail of pity, pomposity, and gin. A celebration of horrible flats, youthful cluelessness, and wide-eyed (if not idiotic) innocence, the film captures a brief snapshot in the timeline of these men's lives. Like the best dark comedies, its emotional gut-punch (in this case, near the end) isn't sentimental but happens organically, catching you by surprise.—D.W.
Where to watchWithnail and I: HBO Max
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb(1964)
As the film that (many would argue) both defined and perfected dark comedy as a form, placingDr. Strangeloveat the top of our list was a no-brainer. Comments fromStanley Kubrickrevealing his inspiration for the film — the threat of nuclear destruction was just too wild to present as anythingbuta comedy — could also serve as a thesis statement for the entire genre. Overflowing with powerhouse performances from Sterling Hayden, George C. Scott, and, of course, Peter Sellers (in no less than three roles: President Muffley, Capt. Lionel Mandrake, and Dr. Strangelove himself), the movie’s humor works because it isn’t apparent to those who inhabit it.
“People trying to be funny are never as funny as people trying to be serious and failing. The laughs have to seem forced on unwilling characters by the logic of events. A man wearing a funny hat is not funny. But a man who doesn’t know he’s wearing a funny hat…ah, now you’ve got something,” Roger Ebertwrote in his 1999 review of the film. “The characters inDr. Strangelovedo not know their hats are funny.”—D.W.
Where to watchDr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb: Amazon Prime Video (to rent)
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Traditional joke math suggests that tragedy + time = comedy. The 34 films on this list don't follow this formula, though, because d...
